Some writings displaying nationalism
Tamil language
Subramaniam Bharathiyar
Desiya geetham
PREFACE
Through the decades leading upto independence from British colonial rule and after independence too, several writers have written in the Tamil language about nationalism.
Subramaniam Bharathiyar wrote desiya geetham- songs about the country, that envisioned freedom far before the nation actually achieved independence. Bharathiyar who died in 1921 in an freak accident with an elephant did not live to see an independent India. Thus, one must note that when he wrote of a national flag here, there was no actual flag but just the idea of the people it brought together. He was a member of the Indian National Congress and thought of a unified ‘Bharath’ together with the Hindi-speaking regions. Yet the National flag here does not even seem to indicate to the Congress flag. in this song he is referring to people of various region or communities, such as the viral and mallar. There are also allusions to geogrphy, history and mythology to demarcate places, such as land of the five rivers (Punjab) and land of Arjuna (Indraprastha region). The title of the poem Thayin Manikodi Pareer (Behold the mother’s jewel like flag), refers to the nation Bharath as a mother and repeatedly plays with this metaphor throughout the poem.
Through the decades leading upto independence from British colonial rule and after independence too, several writers have written in the Tamil language about nationalism.
Subramaniam Bharathiyar wrote desiya geetham- songs about the country, that envisioned freedom far before the nation actually achieved independence. Bharathiyar who died in 1921 in an freak accident with an elephant did not live to see an independent India. Thus, one must note that when he wrote of a national flag here, there was no actual flag but just the idea of the people it brought together. He was a member of the Indian National Congress and thought of a unified ‘Bharath’ together with the Hindi-speaking regions. Yet the National flag here does not even seem to indicate to the Congress flag. in this song he is referring to people of various region or communities, such as the viral and mallar. There are also allusions to geogrphy, history and mythology to demarcate places, such as land of the five rivers (Punjab) and land of Arjuna (Indraprastha region). The title of the poem Thayin Manikodi Pareer (Behold the mother’s jewel like flag), refers to the nation Bharath as a mother and repeatedly plays with this metaphor throughout the poem.
Bharathiyar songs are popular and are taught to children in
schools and household in Tamil Nadu, and this particular song is sung on
National day celebrations. Various renditions of the song , a well-known one
being that by DK Pattammal, are shortened to only stanzas i, iv and x being
sung.
The text for this poem for translation has been taken from
the book Bharathiyar Kavithaigal published
by Leo Book Publishers(Chennai) in 2005. This is a collection of all
Bharathiyar poems on various subjects.
Thayin manikodi Pareer
(Bharatha nattuku kodiyannapu pukazhthal)
(Bharatha nattuku kodiyannapu pukazhthal)
thoyumaaavar ananda kannipu meddh
TRANSLATION
Pallavi
thayin manikodi pareer –Adhai
Behold the mother’s jewel-like flag
thazhndu panintu Pukazhnthida Vareer! Bow to it
with humility and praise it!
Charanam
i. Ongi vallarnthor kambam- adhan
Raise it soaring high on the flag-staff
Uchiyin mael vande mathram enre Resounding and high Vande Matram
Uchiyin mael vande mathram enre Resounding and high Vande Matram
pangkin ezhthi thikazhum seyy
Bring to reality, realize them, enact them
Pattolli veesee paranthu pareer! that Shine bright and take flight!
Pattolli veesee paranthu pareer! that Shine bright and take flight!
ii. Pattu thukileyan lamo? – adhil
Soft and delicate as silk it flutters
Pazhnthu suyarrum Perumpuyar Katru and yet the mighty blow of a
tornado
Mattu mikanthita thalum- adhai cannot make it budge, this
Mathiyathav vuruthikol Mannikapattalam layer of soft glowing fabric
Mattu mikanthita thalum- adhai cannot make it budge, this
Mathiyathav vuruthikol Mannikapattalam layer of soft glowing fabric
iii. indiran Vasiram Orapaal – Adhil
There are those here that worship Indra,
Engal Thurukar Illambirai orupal also the people of the crescent and the cross
manthiram natuvura thindrum – adhan bringing them all together, such is our flag
mannpai vaguthida vallavan yaana? Am I one worthy to speak of its glory?
Engal Thurukar Illambirai orupal also the people of the crescent and the cross
manthiram natuvura thindrum – adhan bringing them all together, such is our flag
mannpai vaguthida vallavan yaana? Am I one worthy to speak of its glory?
iv. Kambathin kizhanitral kaanneer- engum Drawn to the
feet of the flag-pole,
kanrum veerar epuranthiru kootam Many brave men gather everywhere
nampark kuriya avvirar-thangall Keep faith in these gallant, who
nalluyyir yeenthum kotiyinai kappar. Sacrifice precious lives to save the flag.
kanrum veerar epuranthiru kootam Many brave men gather everywhere
nampark kuriya avvirar-thangall Keep faith in these gallant, who
nalluyyir yeenthum kotiyinai kappar. Sacrifice precious lives to save the flag.
v.anniyanni yayavvar neerkum- indha
Behold the brave soldiers gathered,
areeya katshiyor aanandam aanro? does there exist a more happy sight?
Mannikal porunthiya maarpum-viral soldiers unfazed even after a war,
panthiru vongum vadivmum kanneer the viral singers sing their praise
areeya katshiyor aanandam aanro? does there exist a more happy sight?
Mannikal porunthiya maarpum-viral soldiers unfazed even after a war,
panthiru vongum vadivmum kanneer the viral singers sing their praise
vi. senthamizh nadu porunthanar-kottun
In this land of Tamil Nadu
reside
theekan maravarkall chernran-veerar the people of Chera, fiery-eyed
theekan maravarkall chernran-veerar the people of Chera, fiery-eyed
seenthai thunninda theylungar – thayin
the courageous clear-minded Telugus
chevadi kepnni seythittu thuluvar. and Tullus who bow only to the mother,
chevadi kepnni seythittu thuluvar. and Tullus who bow only to the mother,
vii. kannantar oddiya rottu- poril
and to none other, along with the Kannada
kallnnum agns kallakum maroddar, the
Marathas who in war even yaman fears
ponnagar theyvarka loppa nirkum they are comparable to the devas in heaven
porputtaiyar industhanthu mallar and to the mallar of Hindustan
viii. poothalam murridum varraiyum- arap Until the Earth’s demise, until viralliyar
por viral yaavum marppurum varaiyum, declare the end of all war, till that day
matharkal karrapul varaiyum paaril when women remain chaste, the Rajput brave
ponnagar theyvarka loppa nirkum they are comparable to the devas in heaven
porputtaiyar industhanthu mallar and to the mallar of Hindustan
viii. poothalam murridum varraiyum- arap Until the Earth’s demise, until viralliyar
por viral yaavum marppurum varaiyum, declare the end of all war, till that day
matharkal karrapul varaiyum paaril when women remain chaste, the Rajput brave
maraivarum keertikol rajpudir veerar
will be steadfast to the vedas.
ix. pinjach nathathu pirandhor- munai The land of
the five rivers, and the people
parthan mutharpalar vazhndnan nattar of the land
under Arjuna, the people
thunjum pozhudinum thayin-patha
of that blessed land where even their sleep
thonndu ninainthidum vangadhi norum. foremost is the thought of the motherland
thonndu ninainthidum vangadhi norum. foremost is the thought of the motherland
x. serainthai kapathu kanneer! avar
Behold the goodmen who save and protect
sindhaiyin veeram nirantharam vazhka! May they live long! The countrymen
theranthavar pottrum bharatha nila who constantly sing its praise
thaevi thuvajam sirappura vazhka! Long live Bharath!Live long Bharathmata!
sindhaiyin veeram nirantharam vazhka! May they live long! The countrymen
theranthavar pottrum bharatha nila who constantly sing its praise
thaevi thuvajam sirappura vazhka! Long live Bharath!Live long Bharathmata!
II. Thamizh thai vaazhthu
- written by Manonmaniam sundaram pillai in 1891 as part of a play titled Manonmaniam as an invocation to precede the play and was adopted as the state anthem in 1970.
Neeraarum kadaluduththa nilamadandhai kezhilolugum,
- written by Manonmaniam sundaram pillai in 1891 as part of a play titled Manonmaniam as an invocation to precede the play and was adopted as the state anthem in 1970.
Neeraarum kadaluduththa nilamadandhai kezhilolugum,
Seeraarum vadhanamena thihazh baradha kandamidhil.
Thekkanamum adhil chirandha Dravida nal thiru naadum.
Thakkasiru pirai nudhalum thari thanarum thilagamume.
Aththilaga vaasanai pol anaithulagum inbamura.
Yeththisayum puhazh manakka irundha perum Thamizhanange!
Thamizhanange!
Vun seerilamai thiram viyandhu seyal marandhu
Vazhthudhume!
Vazhthudhume!
Vazhthudhume!
TRANSLATION
With rivers flowing within and lapped by the sea of the
earth,
Your noble face shines bright amidst the Bharatha land
Etched in the Deccan, thou art the respected Dravidian country
the middle of your forehead is lit by a crescent-moonlike thilagam
the fragrance of that thilak engulfs the whole world and creation
like thy glorious name and fame spreads in every direction
Your noble face shines bright amidst the Bharatha land
Etched in the Deccan, thou art the respected Dravidian country
the middle of your forehead is lit by a crescent-moonlike thilagam
the fragrance of that thilak engulfs the whole world and creation
like thy glorious name and fame spreads in every direction
oh Tamil spirit
oh Tamil spirit!
Regarding your glory and majesty, we are mind blown!
wishes to you! wishes to you! wishes to you!
very nice
ReplyDeleteThank u,was helpful
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